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Born
Lualhati Torres Bautista

December 2, 1945 (age 75)
NationalityFilipino
Alma materLyceum of the Philippines University
OccupationNovelist, film and televisionscreenwriter

Lualhati Torres Bautista (born December 02, 1945) is a Filipino novelist. Her novels include Dekada '70, Bata, Bata, Pa'no Ka Ginawa?, and ‘GAPÔ.

Biography[edit]

Bautista was born in Tondo, Manila, Philippines, on December 2, 1945, to Esteban Bautista and Gloria Torres. She graduated from Emilio Jacinto Elementary School in 1958, and from Torres High School in 1962. She was a journalism student at the Lyceum of the Philippines, but dropped out because she had always wanted to be a writer and schoolwork was taking too much time.[citation needed] Her first short story, 'Katugon ng Damdamin,'[1] was published in Liwayway Magazine and thus started her writing career.[2]

Despite a lack of formal training, Bautista as a writer became known for her honest realism, courageous exploration of Philippine women's issues, and compelling female protagonists who confront difficult situations at home and in the workplace with uncommon grit and strength.

Works as novelist[edit]

Bautista garnered several Palanca Awards (1980, 1983, and 1984) for her novels ‘GAPÔ, Dekada '70 and Bata, Bata… Pa'no Ka Ginawa?, which exposed injustices and chronicled women's activism during the Marcos era.

‘GAPÔ, the Palanca Awards 1980 grand prize winner, published in 1992, is the story of a man coming to grips with life as an Amerasian. It is a multilayered scrutiny of the politics behind US bases in the Philippines, seen from the point of view of ordinary citizens living in Olongapo City.

Dekada '70 is the story of a family caught in the middle of the tumultuous decade of the 1970s. It details how a middle-class family struggled and faced the changes that empowered Filipinos to rise against the Marcos government. These events happened after the bombing of Plaza Miranda, the suspension of the writ of habeas corpus, the proclamation of martial law and the random arrests of political prisoners. The oppressive nature of the Marcos regime, which made the people become more radical, and the shaping of the decade were all witnessed by the female protagonist, Amanda Bartolome, the mother of five boys.

Bata, Bata… Pa'no Ka Ginawa?, literally, 'Child, Child… How Were You Made?', narrates the life of Lea, a working mother and a social activist, who has two children. In the end, all three, and especially Lea, have to confront Philippine society's view of single motherhood. The novel deals with the questions of how it is to be a mother, and how a mother executes this role through modern-day concepts of parenthood.

Bautista's 2013 book In Sisterhood received the Filipino Readers' Choice Award Nominee for Fiction in Filipino/Taglish in 2014, organized by the Filipino Book Bloggers Group.[3]

In 2015, Bautista launched the book Sixty in the City, about the life of friends Guia, Roda and Menang, who are in their mid-60s and realize that there's a good life in being just a wife, mother and homemaker.[4]

Short stories[edit]

Two of Bautista's short stories won the Palanca Awards, namely 'Tatlong Kwento ng Buhay ni Juan Candelabra' ('Three Stories in the Life of Juan Candelabra'), first prize, 1982; and 'Buwan, Buwan, Hulugan mo Ako ng Sundang' ('Moon, Moon, Drop Me a Dagger'), third prize, 1983.

In 1991 Bautista with Cacho Publishing House, published a compilation of short stories entitled Buwan, Buwan, Hulugan Mo Ako ng Sundang: Dalawang Dekada ng Maiikling Kuwento.[5]

As screenwriter[edit]

Bautista's venture as a screenwriter produced several critically acclaimed works. Her first screenplay was Sakada (Seasonal Sugarcane Workers), 1976, which exposed the plight of Filipino peasants. Her second film was Kung Mahawi Man ang Ulap in 1984, which was nominated for awards in the Film Academy of the Philippines. Also written during the same year was Bulaklak ng City Jail, based on her novel about imprisoned women, which won almost all awards for that year from various awards guilds including Star Awards and Metro Manila Film Festival. In 1998 her work was used for Chito Rono's film adaptation of Bata Bata Paano Ka Ginawa, starring Vilma Santos. In 2000 she wrote Gusto Ko Nang Lumigaya, the screenplay for Maryo J Delos Reyes' political drama thriller.

Other honors[edit]

Bautista became a national fellow for fiction of the University of the Philippines Creative Writing Center in 1986. She also served as vice-president of the Screenwriters Guild of the Philippines and as chair of the Kapisanan ng mga Manunulat ng Nobelang Popular.

She was the only Filipino included in a book on foremost international women writers published in Japan in 1991.

Bautista was honored by the Ateneo Library of Women's Writings on March 10, 2004 during the 8th Annual Lecture on Vernacular Literature by Women. In 2005, the Feminist Centennial Film Festival presented her with a recognition award for her outstanding achievement in screenplay writing. In 2006, she was given the Diwata Award for best writer by the 16th International Women's Film Festival of the UP Film Center.[6][7]

Translations of her novels[edit]

Excerpts of Bautista's novels have been anthologized in Tulikärpänen, a book of short stories written by Filipino women published in Finland by The Finnish-Philippine Society (FPS), a non-governmental organization founded in 1988. Tulikärpänen was edited and translated by Riitta Vartti, et al. In Firefly: Writings by Various Authors, the English version of the Finnish collection, the excerpt from the Filipino novel Gapô was given the title 'The Night in Olongapo,' while the excerpt from Bata, Bata, Pa'no Ka Ginawa? was titled 'Children's Party.'[8][9][10][11]

A full translation of Bautista's best works could better represent the characteristics of Filipino writing in international publishing. Dekada '70 has been translated to the Japanese language and was published by Mekong Publishing House in the early 1990s. Tatlong Kuwento ng Buhay ni Julian Candelabra (1st prize, Palanca Memorial Awards for Literature, 1983) was translated in English and published by The Lifted Brow in Australia.[citation needed]

Works[edit]

Books[edit]

  • Sixty in the City
  • In Sisterhood
  • Sonata
  • Hinugot sa Tadyang (non-fiction)
  • Buwan, Buwan, Hulugan Mo Ako ng Sundang: Dalawang Dekada ng Maiikling Kuwento
  • Desaparesidos

Novelettes[edit]

  • Sila At Ang Gabi: Isang Buong Laot at Kalahati ng Daigdig (1994) ISBN9712703290
  • Ang Babae sa Basag na Salamin (1994) ISBN9716850328
  • Araw ng mga PusoISBN971685014X
  • Apat Na screenplay ISBN9712704475
  • Ang Kabilang Panig ng Bakod
  • Hugot sa Sinapupunan
  • Desisyon
  • Sumakay tayo sa buwan

Screenplays[edit]

  • Sakada (co-writer)
  • Kung Mahawi Man ang Ulap
  • Bulaklak sa City Jail
  • Kadenang Bulaklak
  • The Maricris Sioson Story
  • Nena
  • Bata, Bata...Pa'no Ka Ginawa?: The Screenplay
  • Dekada '70
  • Gusto Ko Nang Lumigaya (screenplay)
  • Sex Object
  • Isang Kabanata sa Libro ng Buhay ni Leilani Cruzaldo (television drama)

Teleplays[edit]

  • Dear Teacher (co-writer)
  • Daga sa Timba ng Tubig
  • Mama
  • Pira-pirasong Pangarap
  • Balintataw (Episode title: 'Labinlimang Taon'; 1987)[12]
  • Desaparesidos (1998)

Awards[edit]

YearAwardCategoryWorkResult
1984Metro Manila Film Festival[13]Best StoryBulaklak sa City JailWon
Best ScreenplayWon

Gapo Lualhati Bautista Pdf Free Download

Controversy and criticism[edit]

Red tagging[edit]

On August 11, 2020, Lualhati Bautista has been tagged as a member of the New People’s Army (NPA) by a private Filipino citizen named Jefferson Lodia Badong in his comment on a Facebook post about the former. Bautista took to her own Facebook account and posted a screenshot of the comment. The post subsequently trended and attracted a huge amount of supporters that attacked Badong, forcing him to write a public apology and make his account private. Bautista also issued a threat to Badong that she would contact his employers to cause him to lose his job. The Labor Code of the Philippines prohibits employers from removing an employee for reasons not directly relevant to their work, like a public figure like Bautista asking Badong's employers to fire him for his Facebook comment that are made outside the workplace. Further, it is by convention that the employee does not reflect his employer's opinions unless explicitly claimed.[14] Libel and cyberlibel law in the Philippines has historically only criminalized malicious publications of defamatory articles, as in the case of Keng v. Ressa.[15] Cyberlibel cannot be filed against private individuals who have no capacity to damage a person's reputation, as in the case of Badong's otherwise obscure Facebook comment. Badong later deleted the apology minutes after posting it. In another post, Bautista threatened to sue Badong for cyberlibel along with a screenshot of his profile. Bautista later said that she is not proceeding with the case as Badong has sent her a private apology, which was also publicized by Bautista. In the aftermath, Badong has deactivated his account after he was continually shamed by supporters and friends of Bautista.[16][17][18][19][20][21][22]

Gapo Lualhati Bautista Pdf Libros

See also[edit]

Gapo Ni Lualhati Bautista Pdf

References[edit]

  1. ^Liwayway Magazine, November 17, 1963 issue
  2. ^Ong, ed. by Aihwa; Peletz, Michael G. (1995). Bewitching women, pious men : gender and body politics in Southeast Asia. Berkeley, Calif.: University of California Press. p. 217. ISBN0520088611. Retrieved 8 October 2016.CS1 maint: extra text: authors list (link)
  3. ^Filipino Readers' Choice Award Winners, date retrieved: 5 July 2016
  4. ^Sixty in the City, Lualhati Bautista, date retrieved: 4 July 2016
  5. ^'Buwan, Buwan, Hulugan Mo Ako ng Sundang'. Goodreads. Retrieved 8 October 2016.
  6. ^Lualhati Bautista, Ateneo Library of Women's Writings, date retrieved: 27 May 2007
  7. ^Lualhati Torres Bautista: The Author, Geocities.com, date retrieved 27 May 2007]
  8. ^Firefly: Writings by Various Authors (Lualhati Bautista Translated into Finnish and English), Edited and Translated by Riitta Vartti, et al. Our Own Voice June 2001 (OOV Bookshelf 2001), date retrieved: 27 May 2007
  9. ^'Bata, Bata Pa'no Ka Ginawa? (Lea's Story): Title Page from Geocities.com'. Archived from the original on October 27, 2009. Retrieved 2010-10-07., date retrieved: 27 May 2007
  10. ^English Language Summary of Bata, Bata Pa'no Ka Ginawa? (Lea's Story) from Geocities.com, date retrieved: 27 May 2007
  11. ^Vartti, Riitta (editor). Preface to the Finnish anthology Tulikärpänen - filippiiniläisiä novelleja (Firefly - Filipino Short Stories), Kääntöpiiri: Helsinki, Finland 2001/2007, retrieved on: April 14, 2007
  12. ^'Mother's Love in 'Balintataw''. Manila Standard. Standard Publications, Inc. 2 December 1987. p. 10. Retrieved 2 May 2019.
  13. ^'Metro Manila Film Festival:1984'. IMDB. Retrieved 2014-04-09.
  14. ^https://blr.dole.gov.ph/2014/12/11/labor-code-of-the-philippines/
  15. ^https://www.bbc.com/news/world-asia-53046052
  16. ^'Facebook user deletes apology, changes profile name after drawing flak for red-tagging Filipino novelist'. #PressOnePH. 2020-08-12. Retrieved 2020-08-12.
  17. ^'Author Lualhati Bautista hits back at Facebook user over red-tagging post'. Rappler. Retrieved 2020-08-12.
  18. ^'Lualhati Bautista thanks Filipino netizens who helped shut down red-tagging commenter'. www.interaksyon.com. Retrieved 2020-08-12.
  19. ^Topics, Head. 'Author Lualhati Bautista hits back at Facebook user over red-tagging post'. Head Topics. Retrieved 2020-08-12.
  20. ^CoconutsManila (2020-08-12). 'Novelist Lualhati Bautista *literally* shuts down troll claiming she's a communist rebel | Coconuts Manila'. Coconuts. Retrieved 2020-08-12.
  21. ^'Lualhati Bautista red-tagged by netizen; Award-winning author claps back'. DailyPedia. 2020-08-14. Retrieved 2020-08-14.
  22. ^'Lualhati Bautista red-tagged by netizen; Award-winning author claps back'. www.msn.com. Retrieved 2020-08-15.

External links[edit]

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Lualhati_Bautista&oldid=993352858'